Papercraft 2: Design and Art with Paper

My origami sculpture 'Devotion' appears in Papercraft 2: Design and Art with Paper

CHAOSMOS II at View Two Gallery

CHAOSMOS II Contemporary Art Exhibition Programme

Chaosmos is an arts initiative that aims to research and develop the production of an array of mixed media artwork, animations, video and live art. It is curated by Chris Boyd, the Lead Artist, and platforms a collection of international and renowned art in a unique exhibition that investigates turbulent visual planes within the conceptual framework of Chaosmos (a Joycean coinage).

The exhibition attempts to map meta-physical states, track intermittent interference whilst revealing a preoccupation with the creative process, pictorial puzzles and the integration of traditional artist techniques with current post production methods.

Curator: Chris Boyd (Lead Artist)

Artists: Chris Boyd; Megan Chapman; Gordon Cheung; Peter Eramian; C. James Fagan; Steven Heaton; Maggie Lambert; Lady Lillith Leveigh; Zan Lyons; Ashleigh Nankivell; David Ogle; Jonas Pihl; James Roper; Masahiro Tomioka; Jane Ward; Boris Zakic and others.

Writers: Peter Eramian; Penny Goring; Kenji Siratori; Sam Skinner; Suzie Saw and others.

Chaosmos 2010 (Independents Liverpool Biennial 2010):

View Two Gallery, 23 Mathew Street, Liverpool, Merseyside, UK.

w: http://www.viewtwogallery.co.uk

Gallery open times: Thursday – Friday 12.00 pm – 4.00 pm, Saturday 12.00 pm – 5.00 pm.

Viewing can be arranged by appointment for Sunday – Wednesday by contacting the Curator.

Exhibition: Tuesday 07 September 2010 – Saturday 02 October 2010

Private View:

Tuesday 07 September 2010, 6.00 pm - 9.00 pm.

VJ Performances / Screenings: (TBC)

Thursday 09 September 2010, 7.30 pm – 10.30 pm.

Thursday 16 September 2010, 7.30 pm - 10.30 pm.

Friday 17 September 2010, 7.30 pm - 10.30 pm.

Artist Talks (in association with Culture Pool):

Saturday 18 September 2010, 1.00 pm - 3.00 pm.

Contact:

Chris Boyd (Curator / Lead Artist)

E-mail: boydism@hotmail.com

Mobile: +44(0)77 919 52 113

Website: www.qboyd.com

Blog: www.chrisboydism.blogspot.com

Facebook: www.facebook.com/Chris.Boyd.Contemporary.Artist

Youtube: www.youtube.com/boydism08

Construct

Construct is an accumulation of polyhedra forms I made from modular origami over a three year period.
Also known as 'Bucky balls' (after the American architect Buckminster Fuller who was known for his use of geodesic domes) they are built out of a number of 'Pentagon-Hexagon Zig Zag (PHiZZ) units' each made from a square piece of coloured paper.
They have the same geometric form as a Fullerene (carbon based molecules, also named after Fuller) which are used to build structures in Nanotechnology.

More images of the installation on my website

'Into the Fold' at Forster

Into the Fold (solo show): 7 November - 20 December 2008

FORSTER
1 Chapel Place
Rivington Street
London
EC2A 3DQ

+44 (0)20 7739 7572
info@forstergallery.com

press release:

FORSTER is proud to present James Roper’s forthcoming solo show, ‘Into The Fold’, a much anticipated collection of stunning new paintings and a site-specific installation in his first exhibition at the gallery.

Roper draws upon his own library of photographs as a foundation for his striking paintings, whilst also obsessively trawling and utilizing a plethora of visual material found on the internet, including fashion, animation, and advertising. Each of the artist’s paintings result from his re-digestion and translation of these collected pictorial tools, with his superior use of paint.

‘I predominantly choose images and try to create forms which I feel register a visual 'peak shift', a term given to the phenomena of 'neurological attraction' that appears in both humans and animals to an extreme characterization of an object.’ – James Roper

This ‘peakshift’ is core to the artists work. Present within advertising, Hollywood blockbusters, haute couture fashion, as well as in extreme forms of body exaggeration such as bodybuilding and pornography, the artist extracts the key element of the image, that causes such heightened visual excitement. By isolating ‘peakshift’ images and merging them through collage, the intention is to intensify the visual triggers so that they form a sort of neurological hyperactivity.

In addition to contemporary source material, James Roper’s work has been heavily influenced by Catholic imagery from the Baroque period and he specifically sites Bernini - the exaggerated depiction of texture, flesh and folds in robes and cloth as key source of inspiration.

"I see the fold of things through the dust they stir up, and whose folds I cast aside. I do not see into God, but I do see into the folds." Deleuze – The Fold

The excessive use of pleats in the artists work surround the viewer as if they are housed within this lavish world of colour and texture. They themselves are engulfed by these surfaces and become part of the folds that are beyond the canvas but are indeed hinted at. The sublime titles of the paintings point towards an otherworldly suggestion of infinity or the constant shift of perception and understanding of space, time and quantity. We have to ask what is it that we are looking for – an answer, solution, reason or cause? Surely the best option is to enjoy this visual feast laid before us, and submerge ourselves into the fold?

Since completing his BA (Hons) in Fine Art at Manchester Metropolitan University in 2005 James Roper has exhibited widely across the UK and has been featured in such publications as Belio Magazine and Dazed and Confused. Roper is currently art directing a short film he co-wrote that won funding from NorthWest Vision and Media as part of their Virgin Shorts 2008.
For further information and images please contact Suzanne at the gallery on +44 (0)20 7739 7572 or Suzanne@forstergallery.com